Friday 22 January 2010

Networking

Call me insane - more money than sense - but I've just booked to attend the Festival of Writing at York University in April.

I've attended similar events...hell I've even organised them! But I'm still not convinced by them.

I'm going for the full package - 1 x four hour "mini-course", 6 x one hour workshops...and 2 chances to pitch to an agent/editor...I'd better get writing then!

But on the whole, are these things a good idea?

FantasyCon, the event that I've organised, focuses on fantasy & horror fiction. Those who attend include readers, writers, artists, editors and agents. If theses events suffer from anything it's that they attempt to be all things to all people.

The event at York shouldn't have that problem. Published authors, editors and agents will attend but their focus will be on unpublished authors. While there, they will know that they are surrounded by wannabes. Does that make networking any easier?

I remember an anthology editor once saying that he is happy to attend events like these, and he's happy to chat to people off the record. But he's not a fan of being "pitched to over a pint".

I don't find it easy to schmooze complete strangers. I find it particularly difficult to schmooze them when they are perfectly aware that I'm only talking to them because of the favours they could do me.

The last of these events I attended was the "creative Thursday" of the Harrogate Crime Writing Festival. It consisted of a series of "talks" that sometimes did what they said on the tin, and were sometimes about completely different subjects. They also experimented with The Dragon's Pen - where aspiring writers pitch their novels to a panel of agents/editors. It was okay but I didn't feel it was the best use of my time/money.

So why am I signing up for another, more expensive one? Good question! My only answer is that I am determined that this is going to be my year and, I'm hoping, that by taking these steps the Universe will meet me half way.

Thursday 21 January 2010

To plan or not to plan

I did it! I made a start. I hit my first 1000 word target. Okay it might be complete garbage but at least it's down.

I think one of the problems I've had lately is my complete inability to plan this version of the novel.

Normally I make a list of chapters - I start with a sentence describing each. I then expand the sentences to paragraphs. So by the time I come to write it I already know what's happening. One benefit is that you can get a good feel for the shape of the novel from this chapter plan.

But for some reason my current magnum opus refuses to be planned. Don't get me wrong, I have a broad outline in my head, but it's all rather sketchy. I know how it starts - the first 2 or 3 scenes - but after that...?

It's new territory for me. I'm just not used to "winging it". The idea of starting out and just seeing where it goes is slightly unnerving!

I know one or two scenes that feature later in the story...though I don't know where. If I get stuck then I will still have something to work on, but that in itself causes problems. I'm used to starting on page 1 and working through to the end. That's a hard habit to break... a hard mentality to change. But I'm also aware of my short term audience. As I said before I send each chunk that I write to a friend and I confess there's a bit of pressure (imposed entirely by myself) to write in sequence for the benefit of that reader. I can't see that being possible this time around so that will be two of us adjusting to a new approach.

Wednesday 20 January 2010

Making a Start

I've been playing the writing game for many years. I've written short stories and had some small success. I've had stories published in the small presses of the UK and USA. My stories have been placed in national competitions.

However, the years are slipping by and it's slowly dawning on me that I've massively underachieved. It can be summed up quite easily by a look back at the 90s and a competition run by Dark Echo. I knocked off an entry in about an hour and a half and was quite pleased that it came 2nd. The winning story was very good - which was also pleasing! It was written by Edo van Belkom. You only have to put his name into Google to discover that Mr van Belkom went on to publish (at the last count) at least half a dozen novels. And how many have I published...?

Don't get me wrong - I've written drafts of four novels. Three of them are gathering dust. The fourth... well that had a few problems but it also had potential.

I'm not going to tell you much about the story, as I want it to be me who exploits that potential. But I realised at the end of the first draft that my protagonist needed to undergo a sex change. Worse than that, I discovered its main theme was alarmingly close to a rather controversial movement in America. I managed to get some feedback from Americans and it was clear that sticking with that central concept - expressed in those terms - would reduce my chances of publication. So I decided I needed to re-think it...

....and unfortunately I've been re-thinking it for more than 10 years!

Every year I make a start. I write a chapter then it fizzles out. Last year, around this time, I paid an editorial service to sit with me for 2 hours to brainstorm some ideas for my novel... to clarify certain points and to discuss its marketability.

Every year I look at the various courses out there. I debate signing up for face-to-face ones, distance learning ones, and masters degrees. I think I'm seeking someone to guide me through the drafting process - helping me with the plotting, keeping me on track. But courses rarely work like that. There can't be many courses that would see you all the way through 100,000 words. I've often thought that I should have a first draft written and then get feedback on it - through a course or editorial service.

This has all come to a head when I booked to attend a writing convention that offered the chance to pitch to an agent/editor. It's always a lure for wannabe writers. Luckily my car developed a few expensive problems and took all my money. I've spared the agents my garbled pitch and cancelled the booking.

So, what now? I've come to the conclusion that I need to reassess. I've asked myself if I'm going to carry on making excuses and let another 10-20 years go by. Author Juliet McKenna once told me of her own "aspiring" years and her own decision to get serious and "up her game". That has to be my choice too. It's now or never.

Even as I write this I'm starting to feel anxious. What if I don't do it? What if I don't succeed? Truth is, nobody much cares. It has to be my effort...regardless of the excuses...and so I just have a "grow a set" and make myself sit down every day.

I've sent a proposed schedule to my "ideal reader" - a long-standing friend who loves my work and will support me rather than destroy me while I write. I have other friends who expect me to send them 3000 words per month. So I'm already accountable to some....

...now, with this blog....I'm making myself accountable to you. Regardless of who you are or where you are, regardless of whether you know me or not. Regardless of whether or not you care if I succeed. I'm now making myself accountable to you.

Of course I can't prove that I'm writing (at first) as I'm not prepared to publish my work here. But, for my sins, I'm registered on www.authonomy.com and no doubt I will post my work there eventually. In the meantime I intend to post updates here....and on twitter... in the hope that the ether will keep me going.